As I would like to represent this vehicle on a small vignette in a late 1944 ETO setting, the wet and damp conditions will require a grey toned coloured pin wash than I would normally add. This should add an overall colder tone and lift the contrast to the monochrome base coat. The mud around the running gear will still be damp whereas i will attempt to display it as more dried out on higher areas. More vibrant colours will be added by way of the stowage in the load area.
I’ve never attempted a muddy finish on an AFV so this is going to be a first for me. Watching a few videos and taking inspiration from the guys that like to build vehicles set in eastern European theatres, it was clear that to pull this off I would have to slowly layer the effects.
My first dilemma was what materials to use! AK acrylic textured weathering paste is a product I like the look of and their dark mud in particular has a nice authentic tone. It should fit perfectly into my late Autumn 44 northern Belgium setting. It is also easy to clean up if I take things a little too far! The first steps are to add some texture and looking at real muddy AFV images the wheels at the rear seem to pick up most of the track dirt that is kicked up and propelled over the upper track run. With this in mind mud would have kicked up onto areas under the load platform bed. I would also leave some wheels cleaner than others.
To get my eye in I started with the underside of the load bed. I could experiment with both quantities and the positioning of the products without worrying too much as only a fraction of these areas will be visible.
Once the acrylics had dried, I used AK dark mud enamels and blended them with white spirit. This product was a fair bit lighter that the acrylic mud colour, so I went back over selected areas with the Acrylic mud thinned with tap water. Much like with weathering tracks I then used the speckling technique, using AK enamels with a small amount of MIG dark mud pigments to add some texture. This all looks very messy when wet, so I let it dry up and started work on the tracks and wheels.
The tracks were first given a rattle can coat of Tamiya Fine Surface primer and then base coated in MRP-034 tank grey. I then randomly washed on and then speckled my pre-mixed acrylic rain wash. Once dry an application of both AK acrylic textured dark and wet mudmixed with chopped sea grass was randomly added, smoothing over the cleats trapping the mud in between, so I didn’t get too much build up. The kits spare sprocket and idler were used to make sure the mud won't impeed any wheel fitment.
The main running wheels received far less overall mud texture and I favoured just adding it to select areas. Learning from my mistake on the underside of the loadbed, the effects were added in stages, slowly building up the layers. First a random application of light mud textured paste and after it was allowed to dry dark mud texture was added. This was followed by blending AK enamel dark mud thinned with white spirit. I then went back and forth with the previous mediums until I was happy with the effect.
The next steps involved adding speckling of mud to the wheels. A mixture of AK dark mud splatters and MIG dark mud pigments were mixed together and applied with a cocktail stick and brush. Keeping the speckling random and just to selected areas was my aim but it is tricky without masking so a fair amount of clean up is required to keep the effects in scale.
This is the first round with two slight variations on the dark mud tone and one lighter one.
The sprockets and idler received a heavier build up of AK textured acrylic mud between the spokes.
The next round of both speckling and mapping will need to be more precise. I will also mix some oils to highlight raised detail and claw back some definition and add some grease and oil stains to the hubs.